The afters to EUSEXUA arrive hazy and tender, but not quite as thrilling as the night before — with a few strange choices made to its parent album along the way.
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The afters to EUSEXUA arrive hazy and tender, but not quite as thrilling as the night before — with a few strange choices made to its parent album along the way.
A bilingual pop opera that finds beauty in heartbreak and proves Rosalía’s instinct for transformation remains unmatched.
Lily Allen’s return is a rightfully scathing but beautifully human story about the breakdown of her marriage. This could very well be her magnum opus.
A “non-Swiftie” review of the superstar’s latest album that sees her return to work with Max Martin after 7 years.. Swift fails to deliver the pop assault she’s been known to in the past.
Doja Cat invokes the 80’s in ‘Vie’ and proves she is at her best when she lets her pop instincts lead.