A “non-Swiftie” review of the superstar’s latest album that sees her return to work with Max Martin after 7 years.. Swift fails to deliver the pop assault she’s been known to in the past.
Doja Cat invokes the 80’s in ‘Vie’ and proves she is at her best when she lets her pop instincts lead.
Ten tracks, thirty minutes, endless shine: Zara Larsson steps fully into her bright midnight moment.
Olivia Dean’s rich new record reminds us honesty does not need to cut like hard truth but can rest gently as soft affirmation.
As debuts go, ‘I Barely Know Her’ feels remarkably confident, self-written, largely self-produced, and brimming with replay value.